[1]
S. . Sadr Eshkevari, F. . Fallahnezhad, and M. . Khabbazi Kenari, “Rhizomatic-Topological Analysis of Image in Relation to Desire-Machines in Terrence Malick’s Cinema: Case Studies of Badlands (1973) and To the Wonder (2012) through the Lens of Deleuze and Guattari”, Pers. Art. Bey, vol. 3, no. 1, pp. 1–15, Jan. 2026, doi: 10.48313/pab.v3i1.47.